Thursday 14 February 2013

Proposal


Proposal

Producer(s): Warda
Production Title:
-

Brief: Magazine Promotion of a new reality TV show on a double page spread article and front page. 


Aim: The aim of this magazine is to portray the opposite representations of a typical reality TV show. 


Description of your intentions:

The intentions of this would be to create a magazine with a double page article which is giving a brief introduction to the background of each character that is going to be appearing in the show who are all independent hard working females that are fighting against the typical stereotypes which females within the entertainment industry face.  I plan to show that females within reality TV  can be on television screens with out degrading themselves and dumbing themselves down. 











Target Audience:
Young Females
15-30
B/E 
All ethnicities especially the white working class




Similar Products:
OK Magazine -Only way is Essex special 
Heat magazine Made in Chelsea double page article



Production Details: shots of each character


Learning response for critical investigation


  • Consider media language
  • Include more book research
  • Try to bring post feminism into the debate
  • Give examples/ references for each point you make

Self evaluation grade D/E

Friday 1 February 2013

Essay

“This programme contains flash cars, big watches and extreme posing. The tans you see might be fake, but the people you see are all real although some of what they do has been set up purely for your entertainment.” [1]

To what extent and why are women within constructed reality TV shows such as ‘The only way is Essex’ represented in a negative way?

To a large extent woman within reality TV shows are seen as represented in a negative way as having no common sense and being sex objects. They are also seen as women who lack education & ambitions “as producers create a universe where women not only don't have real choices but don’t even want any.”[2]
Constructed reality TV shows are all known to represent women in this way portraying females today “including stereotypes that most people would have assumed got left behind 35 years ago.”[3]
The real question is the reasons why producers represent women from this genre in such way. Some would believe that “The rise of reality TV came at a time when networks were looking for a quick fix solution to economic problems within the cultural industries”[4] this allows us to argue that the representations of women are false representations that are highly exaggerated so that they could hide real issues such as economic problems. Whereas, Laura Mulvey argued that objectifying women in an image is for the pleasure of men while women are seen as icons.
A vast majority of the time constructed reality TV is seen as really popular genre which makes us rethink if women are actually even taking offence to the representations or even if they disagree with it. It makes us question “what do reality TV producers want us to believe about ourselves and about ‘our place’ in society.” [5]

 ITV2 Reality TV show ‘the only way is Essex’  represents females in a negative aspect Females are constantly being shown as the usual uneducated blonde who is searching for 15 minutes of fame that try to build a career on reality shows. Who are represented to us as sexualized, semi-naked with counterfeit type bodies. The only way is Essex demonstrates the typical stereotypes of the roles of females within reality TV shows that are “moulded into predetermined stock characters such as “The bitch”, “The weepers” and “The Angry black women” the strong, independent women are typically excluded.”[6] Only way is Essex females present to us these typical stereotype characteristics, none of the females are seen as independent role models but as females who have reached their aspirations to be noticed on television by undertaking theses stereotypic roles and who actually look desperate.
These stereotypical roles such as “Portraying the female population as ditzy, inept workers, wife’s and mothers.”[7]  Actually influence viewers who are especially females around the world to actually feel that it’s their duty to fill out these roles within the real world. This also affects male audiences to actually believe that these are the correct roles of females and that this is how the females around them should be like. Looking at hypodermic needle theory, reality TV producers could be constructing these roles of females to affect the viewers at home as they know that whatever is shown by the media always has a powerful effect on its audiences. It’s as if they want us to imitate exactly what they show us and to influence the future roles of the females within the society to stop them from becoming their own person. These roles also in a way supports hegemony forces within reality TV shows, on how women should think, act and dress and shows like the only way is Essex is largely responsible for the hegemony surrounding females within the society as it attacks the views of social, sexual and political views.

Reality TV is seen “The influence of all media is systemic and affects how we think and feel in ways we don’t even recognise.”[8] There are many effects reality television could have on its audiences, most these effects are not positive. The fake look that has become mainstream within the reality TV “constantly reminds us the audience that we’re not good enough, we need to be fixed, and that our value lies in our youth and beauty.”[9] It makes viewers question their natural beauty and bring down their self esteem because they feel as if they don’t fit into their ‘fake’ category. When really the women that star in shows such as only way is Essex are the real people who suffer from low self esteem as they form themselves like clones mimicking each other’s personalities.

“The popularity of reality TV has led to a dangerous blurring of boundaries between fact and fiction as a result reality TV has had a negative effect on modern society.” [10] The only way is Essex is a constructed reality TV show that has been edited which changes what actually happens within the scenes and makes audiences believe that what is occurring is 100% true. So it allows audiences to actually believe that these people spend all of their money on unnecessary items and partying.  Reality TV shows has a major influence on the audiences everyday lives. Now that reality TV has become mainstream and popular, it questions if viewers at home know that reality TV shows such as the only way is Essex is actually constructed and most scenes are set up for entertainment purposes.
The only way is Essex leads viewers on and makes their viewers at home to believe that sex sells as they promote their bodies and make them believe that their sex appeal is what got on the only way is Essex. This leads to especially young female viewers who look at reality TV stars as role models to not being able to divide the differences between the actual fact and fiction that occur on the only way is Essex.

 “Women are becoming desensitized to their emotional needs and instead use beauty as a temporary Band-Aid and reality TV secretly promotes this.”[11] Women who watch reality TV shows expect the same amount of attention that reality TV stars gain from the amount of makeup they put on and the way that dress. This leads to women not appreciating their true beauty and pilling on more and more make up to make themselves to feel good about themselves. 

The representations within reality TV shows are not fair, all of the characters within the only way is Essex are all portrayed to be literally ‘stupid’ characters. Also the type of language that is used throughout the advert are typically Essex vocabulary words such as ‘shaatup’ and ‘reem’ to promote themselves and the city that they are from. The views on ordinary people from Essex themselves feeling as if it was not a true representation of the area and the people that live there.” And others stated that “ITV2 show The Only Way is Essex could set us back 20 years.” If the residents of Essex are disagreeing the representations and stereotypes of the show then it makes us question the real agenda of the makers of only way is Essex and makes us wonder exactly why the  real representations of women are being destroyed in a matter of episodes.

Laura Mulvey argues that females are represented in such manner because of the female gaze .This is done so that the male viewers can admire what they see for visual pleasure and also especially so that the females can also admire their looks and appearances and admire the fact of what makes the men admire them, which relates to the hypodermic needle as viewers will be influenced by this so that this can be copied by the female viewers themselves by copying their appearances and the way they act and thinking and also actually changing their opinions and beliefs to believing  that this how women are meant to be because male viewers admire them. The more viewers choose to watch this the more it would actually influence them to believe this.

On the other hand the only way is Essex and other reality TV shows that are similar are really popular across the UK, there must be a reason to why there is such a large market when it comes to reality TV. A question that I also place on the debate on reality TV is maybe us as audiences do we gain a sense of amusement from actually just watching them or “does the pleasure come from judging them?”[12] All viewers gain a sense of enjoyment from watching the drama that surrounds people in their daily lives and how they go about these problems to fulfil our sense of curiosity. But at the same time viewers gain a sense of pleasure from judging and criticising the characters within only way is Essex, which makes the viewers at home feel good about themselves which leads them to coming back for more.

" Might have initiated a negative response before, now give the viewer a sense of calm because of its link to relaxation."[13] This relates desensitized theory as women that watch reality TV shows maybe addicted to reality TV due to the fact that the lives of the reality TV stars was once frowned upon and looked as if it was really bad to act in such manner and unlady like. This is because of “the psychological pleasures that come with watching TV and as a repetitive and heavy viewer of negative & violence on TV it suddenly becomes pleasurable to us”[14]

If we observe the structured role of women within reality TV over the years it has changed immensely   but in a way also stayed similar. An American family was one of the first reality TV documentary styled show which began in 1971. Within the 70’s this was known to be the year of representations of women slowly starting to grow.
The opening sequel of an American family the shows the social norms and family values at the start of every episode which is showing the father located at work and in his work clothes, the father role within the home is seen as the head of house and in charge. The representations of women in the 70’s are that the mother is seen as being preoccupied with preparing family meals and cleaning the home, also looks natural and not fussed about material things but at the same time seen as a sexual desire within that era to the male gaze even still by being fully clothed. An American family does not promote in any way women being over sexualised but are shown as good women who stand by their families but are seen as for the male gaze and for pleasure of male audiences, as the camera focuses on her whilst she does her shopping and gardening for the family to play the role of a women in 70’s.

Comparing to the only way is Essex the representation is diverse as the women are constantly seen as trophy women that are all single who are all about being semi naked and searching for romance. In order for the women to feel as if they are living up to their full potential as women they feel they need to be underdressed, wearing lots of fake tan, and have nice cars & homes. They never show how they achieve these nice cars, homes and clothes.  It seems over the years that the representation of being a housewife who stays at home to look after their families has disappeared as female representation are more degraded year by year .

The reasons to why females are represented in such way draws forward many debates and arguments is because there are many different beliefs in why females are victims of reality TV. If reality TV handing to us real TV why won’t they show us the true representations of women in our society which are hard working females that are independent which work hard to get to where they are and that don’t depend on men.


[1] Opening sequel to ‘The only way is Essex.
[2] Pozner, J. L. (2010). Reality bites back: the troubling truth about guilty pleasure TV. Berkeley, CA: Seal Press
[3] Ibid.
[4] Hill, A. (2005). Reality TV: audiences and popular factual television. London: Routledge.
[5] Pozner, J. L. (2010). Reality bites back: the troubling truth about guilty pleasure TV. Berkeley, CA: Seal Press
[6] Ibid.
[7] Pozner, J. L. (2010). Reality bites back: the troubling truth about guilty pleasure TV. Berkeley, CA: Seal Press
[8] IBID
[9] http://www.missrepresentation.org/reality-tv/reality-tv-the-self-esteem-of-women/: 
[10] Hill, A. (2005). Reality TV: audiences and popular factual television. London: Routledge.
[12] http://www.missrepresentation.org/reality-tv/reality-tv-the-self-esteem-of-women/: 

[14] ibid

Bibliographies

Words cited

Books
Hall, S. (1997). Representation: cultural representations and signifying practices. London: Sage in association with the Open University.
Hill, A. (2005). Reality TV: audiences and popular factual television. London: Routledge.

Pozner, J. L. (2010). Reality bites back: the troubling truth about guilty pleasure TV. Berkeley, CA: Seal Press :.
Meyers, M. (2008). Women in popular culture: representation and meaning. Cresskill, N.J.: Hampton Press.

Websites




http://www.artslondonnews.co.uk/20101123-isessex-the-only-way
Words consulted
Books

Andrejevic, M. (2004). Reality TV: the work of being watched. Lanham, Md.: Rowman & Littlefield Publishers.
DeVolld, T. (2011). Reality TV: an insider's guide to TV's hottest market. Studio City, CA: Michael Wiese Productions.
Escoffery, D. S. (2006). How real is reality TV?: essays on representation and truth. Jefferson, N.C.: McFarland & Co..
Essany, M. (2008). Reality check the business and art of producing reality TV. Amsterdam: Focal Press/Elsevier.
Waters, M. (2011). Women on screen. Basingstoke: Palgrave Macmillan.
Websites
http://www.msmagazine.com/fall2004/unrealworld.as